To Unpathed Waters, Undreamed Shores

Month

July 2012

27 posts

Jun 30, 20125,390 notes

June 2012

73 posts

Jun 28, 20128,772 notes
Jun 28, 20126 notes
#lausanne
Jun 27, 2012155 notes
“I fell in love with the world in you.” —Noah and the Whale (via wrists)
Jun 27, 201228,677 notes
“Every so often, late at night, I come downstairs, open one of my books, read a paragraph and say, My God. I sit there and cry because I feel that I’m not responsible for any of this. It’s from God. And I’m so grateful, so, so grateful. The best description of my career as a writer is ‘at play in the fields of the Lord.’ It’s been wonderful fun and I’ll be damned where any of it came from. I’ve been fortunate. Very fortunate.” —Ray Bradbury, The Paris Review interview no. 203 (via livefromthenypl)
Jun 26, 201264 notes
“What is the feeling when you’re driving away from people, and they recede on the plain till you see their specks dispersing? It’s the too huge world vaulting us, and it’s good-bye. But we lean forward to the next crazy venture beneath the skies.” —Jack Kerouac (via talkativolive)
Jun 26, 2012216 notes
Jun 25, 20122,192 notes
Jun 25, 20129,191 notes
“Summer afternoon—summer afternoon; to me those have always been the two most beautiful words in the English language.” —Henry James (via excessivebookshelf)
Jun 24, 201282 notes
“I believe the nicest and sweetest days are not those on which anything very splendid or wonderful or exciting happens, but just those that bring simple little pleasures, following one another softly, like pearls slipping off a string.” —L.M. Montgomery (via potterology)
Jun 24, 201216 notes
Jun 24, 2012
Jun 23, 2012
Jun 23, 2012
Jun 23, 2012
Jun 23, 2012
Jun 23, 20127 notes
Jun 23, 2012
Jun 23, 2012
“This sentence has five words. Here are five more words. Five-word sentences are fine. But several together become monotonous. Listen to what is happening. The writing is getting boring. The sound of it drones. It’s like a stuck record. The ear demands some variety. Now listen. I vary the sentence length, and I create music. Music. The writing sings. It has a pleasant rhythm, a lilt, a harmony. I use short sentences. And I use sentences of medium length. And sometimes, when I am certain the reader is rested, I will engage him with a sentence of considerable length, a sentence that burns with energy and builds with all the impetus of a crescendo, the roll of the drums, the crash of the cymbals—sounds that say listen to this, it is important.” —Gary Provost (via atomiclanterns)
Jun 23, 2012530 notes
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